Slate/Significant Objects Contest

15 10 2009

Significant Objects is an online literary project started by Joshua Glenn and Rob Walker that underscores several platitudes. One man’s trash is another man’s treasure.  Beauty is in the eye of the beholder. Don’t judge a book by its cover. All of these come to mind. A finely-crafted story of 500 words or less is written around a particular trinket or bric-a-brac found in a thrift store and then re-sold on e-bay with the attached story to infuse it with a new significance. This object of a petty monetary value should now fetch a handsome price, right? This is the experiment. It smacks of recessionary values: What one buys does not have intrinsic value, but gains worth as we make real-life connections with it. Who needs an Armani suit, when you can have a ceramic penguin milk dispenser with real gumption? It’s a fascinating project and I have been keeping an eye on what writers come up with, how high the ebay offers will go, and all the while hoping that there would be an opportunity for readers to submit their own story.  And lo and behold, they have! In conjunction with Slate, the owners of SignificantObjects.com are sponsoring a story contest. Best story for a particular object wins…untold glory? I don’t even know what the prize it, but I decided to submit my stab at it.

The object—a real doozy—was chosen by Glenn, Walker and the editors of Slate, so I had no real choice there. I have posted my entry, with a picture of the object below, for your consideration. Contest ends Friday, October 16, 2009 at 5pm ET. Go to www.slate.com for details.

 

Slates Significant Object: A Bar-B-Q Jar w/ brush

Slate's Significant Object: A Bar-B-Q Jar w/ brush

A cursory scan inside our blue-shuttered house revealed a fairly typical American home, albeit with a few more chips of cracked ceiling than expected.  But beneath the rocking chair, the ottoman and the lamp, there lurked a stain here and a worn patch there. A very proud family lived in this blue-shuttered house though it took me years of perspective to understand the cases of neglect, settled out of court, that were the calling cards of an extremely stretched budget.  If cleanliness was close to godliness then smudges and blots covered by a draped blanket was perfectly holy enough for my mother, thank you very much.  To my adolescent self, struggling to come to terms with eyes slightly askew, bowed knees and a most conspicuous birthmark on my forehead, my house was always the worst of all offenses heaped upon me.  Years of Septembers spent staring at the shiny new Lisa Frank folders of my schoolmates whilst I ached to have a unicorn of my own had given me a terrible case of the “have-not-but- desperately -want- to-have-all’s.”

My never-ending fear: how to prevent Tabitha Morgenthal from traipsing into our house after school and witnessing my family’s embarrassing lack of cleverness and refinement screaming from every corner. The entrance to my parent’s room was gagged with a tube sock to keep its ill-fitting door from slamming against the frame with every whispered breath. The spoon rest in the kitchen was used as a dispensary for our compulsory morning vitamins and nary a spoon had rested its head upon it. Towels draped the tops of our couch and recliner, to prevent our cat from ripping the stuffing to shreds. Tiebacks for our curtains were performed by would-be scarves, cut to do a new job.  It was not really poverty, not even laziness, but an immigrant mentality that all’s well that does the job.  Even our bathroom was an assortment of oddities, evidence by an old barbeque jar and pastry brush shamelessly used by my father to brush talcum powder on his face after shaving. A most embarrassing relic I turned to face the wall whenever Tabitha barged in.

One sunny afternoon when my sneaky machinations could not keep Tabitha from coming over, I tore through every room, knocking my knees together as I grabbed towels off of couches, socks out of doors and assembled various bits of flotsam into order.  I was liberally spraying my mother’s musk in the bathroom and putting the hideous jar in time-out, when Tabitha was suddenly behind me, grabbing.

“What is this?” She turned the shining jar in her hands to read the cheerful yellow writing: Bar-B-Q. She sniffed at its contents, and a laugh was already bulging from her eyes.

I stood there numbly and shrugged, too embarrassed to speak.

“This is beyond weird. You have the craziest crap in your house,” she said, casually confirming my worst fears.

Silently, I reached for Tabitha Morganthal’s shiny hair and pulled as hard as I could.





BOOK REVIEW: A Prayer for Owen Meany

9 10 2009

BOOK REVIEW: A Prayer for Owen Meany  

Author: John Irving

Publisher: Ballantine Books

Publication Date: April 14, 1990

ISBN: 978-0-3453-6179-0

Book obtained by in-store purchase

Books like A Prayer for Owen Meany take me a while to figure out. The sheer quantity of its pages (619, to be exact), the weaving currents of narration, the plot twists –all of this causes a backup in your literary digestive tract. I had intended on starting another book right after A Prayer for Owen Meany but I seem to be stuck in an incongruous time period: 1960’s New Hampshire of all places. I’ve been here longer than expected.

 A Prayer for Owen Meany is the story of Johnny Wheelwright, but the parable of Owen Meany. Johnny’s narration starts from the days of his youth, as he simultaneously teases and forges a sibling-like bond with diminutive Owen Meany. Meany is small in stature but carries a big stick, most characterized by his voice, which is irritatingly poised at the crescendo of a shout.  Irving employs the unsettling device of the caps-lock for all of Owen’s ideas, whether spoken or not—a ploy which at first almost caused me to throw the book across the room.  Soon, you simply recognize the work of a masterful writer who has succeeded in having his main character’s persona virtually jump off the page; towards the end of the book, Owen’s IDEAS compulsively draw your eye to when you will next hear from him. 

One ill-fated (or simply FATED, according to Owen) day, a foul ball at a Little League game strikes Johnny’s mother dead. The batter is Owen Meany and the incident puts an idea in his head that the death of Johnny’s mother, one of the most beautiful people in town and Owen’s treasured love, had to have been part of some larger plan and Owen, the instrument chosen to carry it out.  The childish notion that senseless death could not actually be senseless leads to a faithful fervor that only gets stronger as Owen gets older.  What might have been a tireless theme and a Christ figure overload is instead an incredibly moving treatise on faith that takes us from a youthful baseball game to the crushing tragedy of the Vietnam War. When faith gets harder to sustain, it seems Owen’s caps lock truisms are more infuriating to the characters, but ultimately more poignant.

Irving does this book both an enormous favor and an incredible disservice in the very first sentence:

“I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother’s death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.”

 If you are a voracious reader, you might recognize the above quote as a truly stellar first sentence and the mark of an adept storyteller. It is my humble opinion that the first sentence of a novel has prevented many a crap book from being written – even if you have a story to tell, only talented writers know how to start one. This is obviously the favor.   The disservice is the theme that Irving presents so nakedly here, which is one person’s path to faith and Christianity. The sentence reads almost like a religious tract, a souvenir from a Times Square prophet. At this point, many a reader will stop, put the book back on the bookstore shelf and walk away and I admit that I was once one of them.  It appears Owen Meany is a religious hero, one of the hardest archetypes to pull off without damaging readers’ raging political sensitivities.  It helps that Johnny’s adult narration from the perch of an ex-pat life in Canada includes multiple rants on the moral turpitude of Reagan-era politics in the United States: this is not a conservative book.  While the story does revolve around Owen’s innocent assertions of religious enthusiasm and his belief that he was put born to carry out a number of fated tasks, the Christianity here spans all institutions, does not settle on any one talking point and works to remind us that religion, in lieu of starting wars and alienating people, might actually be a way for us to be better people.

It would take a caustic soul not to feel emotionally connected to Owen Meany and Irving’s vivid cast of characters. The takeaway from a  novel like this is of an intensely personal nature and its message—whatever it is—will surely take a while to digest.